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» » Blood, Sweat And Tears - Child Is Father To The Man
Blood, Sweat And Tears - Child Is Father To The Man download free
Title:

Blood, Sweat And Tears - Child Is Father To The Man download free

Album:
Child Is Father To The Man
Country:
Released:
Genre:
Style:
Blues Rock, Psychedelic Rock, Jazz-Rock, Pop Rock
MP3 archive size:
1419 mb
FLAC archive size:
1619 mb
WMA archive size:
1369 mb
Other formats:
MIDI MP4 MOD AU APE AA AIFF
Rating:
4.3
Votes:
541

Tracklist Hide Credits

A1 Overture
Written-By – A. Kooper*
1:32
A2 I Love You More Than You'll Ever Know
Written-By – A. Kooper*
5:58
A3 Morning Glory
Written-By – L. Beckett*, T. Buckley*
4:15
A4 My Days Are Numbered
Written-By – A. Kooper*
3:19
A5 Without Her
Written-By – H. Nilsson*
2:42
A6 Just One Smile
Written-By – R. Newman*
4:38
B1 I Can't Quit Her
Written-By – I. Levine*
3:38
B2 Meagan's Gypsy Eyes
Written-By – S. Katz*
3:24
B3 Somethin' Goin' On
Written-By – A. Kooper*
8:01
B4 House In The Country
Written-By – A. Kooper*
3:05
B5 The Modern Adventures Of Plato, Diogenes And Freud
Written-By – A. Kooper*
4:13
B6 So Much Love / Underture
Written-By – G. Goffin - C. King*
4:44

Companies, etc.

  • Pressed By – Columbia Records Pressing Plant, Pitman
  • Mastered At – Customatrix

Credits

  • Alto Saxophone, Piano, Other [Good Judgment] – Fred Lipsius
  • Bass [Fender] – Jim Fielder
  • Drums, Percussion, Vocals – Bobby Colomby
  • Guitar, Acoustic Guitar, Lute, Vocals – Steve Katz
  • Organ, Piano, Synthesizer [Ondioline], Vocals – Al Kooper
  • Photography By [Cover Photo] – Al Gescheidt*, Bob Cato
  • Photography By [Photos] – Don Hunstein
  • Producer – John Simon
  • Trombone – Dick Halligan
  • Trumpet, Flugelhorn [Fluegelhorn] – Jerry Weiss, Randy Brecker

Notes

1st U.S. pressing, Pitman

Tracklist on labels starts below the spindle hole. (Compare to r7717011)
The following is printed on the inner label of the LP record:
<-"360 SOUND" STEREO "360 SOUND"->
(in white lettering, located at the bottom of the inner label on the record)
"Produced by John Simon* for Past, Present and Future Productions, Inc."

Artist name appears as "Blood, Sweat & Tears" on sleeve, and as "Blood, Sweat And Tears" on the center labels.

Printed in USA on bottom of spine.

Barcode and Other Identifiers

  • Matrix / Runout (A Side Label): XSM135785
  • Matrix / Runout (B Side Label): XSM135786
  • Matrix / Runout (A Side Stamped): XSM135785-1C
  • Matrix / Runout (B Side Stamped): XSM135786-1C
  • Matrix / Runout (Variant 1: A Side Stamped): XSM135785-1A P D 12 o
  • Matrix / Runout (Variant 1: B Side Stamped): XSM135786-1G A 3 o
  • Matrix / Runout (Variant 2: A Side Stamped): XSM135786-1F
  • Matrix / Runout (Varient 2: B Side Stamped): XSM135186-1AB
  • Matrix / Runout (Variant 3: A Side Stamped): o XSM135785-1F I P 3 D
  • Matrix / Runout (Variant 3: B Side Stamped): o XSM135786-1I P 3 D
  • Matrix / Runout (Variant 4: A Side, Stamped except etched I and solo 3; the D is a partial stamping): o XSM135785-1B I T 3 D
  • Matrix / Runout (Variant 4: B Side stamped except etched I and 17): XSM135786-1B I T o D 17

Other versions

Category Artist Title (Format) Label Category Country Year
BSTCS-02010202 Blood, Sweat And Tears Child Is Father To The Man ‎(CD, Album, Unofficial) Not On Label (Blood, Sweat & Tears) BSTCS-02010202 Russia 2001
HC 49619 Blood, Sweat And Tears Child Is Father To The Man ‎(LP, Album, RM, Hal) Columbia HC 49619 US 1981
MOT-60.016 Blood, Sweat And Tears Child Is Father To The Man ‎(LP, Album) CBS MOT-60.016 Venezuela 1973
SICP 20411 Blood Sweat & Tears* Child Is Father To The Man ‎(CD, Album, Mono, RE, Unofficial) Sony Records Int'l SICP 20411 Russia Unknown
CS 9619 Blood, Sweat And Tears Child Is Father To The Man ‎(LP, Album, RP) Columbia CS 9619 US 1970


  • Blood, Sweat and Tears was an idea visualized by its first lead singer, Al Kooper (easily most famous for his keyboard work with Bob Dylan). Kooper's vocals were considered 'weak', and he was replaced on their second release by David Clayton Thomas. B, S and T quickly found commercial success with their new lead singer, and this first album came and went without much fanfare.It's a shame, because Kooper's take with the group is much more enjoyable than subsequent B, S and T outings. It still annoys me how the radio overplays "You've Made Me So Very Happy" and the forgotten classic from this collection, "I Can't Quit Her" is rarely heard. Kooper brought a sense of humor to the band. Without him, the group sinks into pretension quickly. The band was always made up of great jazz musicians, but the second album finds them tackling Erik Satie. Can you say 'artsy fartsy'?This first album is a bit more earthy, with humorous takes on the blues ("I Love You More Than You'll Ever Know", "Something Going On"), pleasant pop ("Meagan's Gypsy Eyes", "House in the Country") and even a minor Goffin-King classic ("So Much Love").Somehow Columbia goofed on "I Can't Quit Her". The song is a soulful strut that could have easily been a huge hit at the time, but somebody blinked. I am not much of a 'rock jazz fusion' fan as the sophistication of jazz seems to always fight the primitiveness of rock and roll, but this first album by B, S and T succeeds because of Al Kooper. Admittedly, he doesn't have the vocal chops of David Clayton Thomas. Then again, I've never been a big fan of David Clayton Thomas.And anyway, the 'hits' that followed for Blood, Sweat and Tears were all ponderous to my ears. Very slick productions that are perfectly executed, I'd rather hear "This Diamond Ring" by Gary Lewis and the Playboys. Which was written by Al Kooper.